rylan2020
Wordles & Heardles
Dragonfly Trumpeter
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Post by rylan2020 on Sept 16, 2024 2:24:06 GMT
That must have been a temporary offer. Every time someone links to it I get the 18.99 download. I'm not big on digital though. At some point with fingers crossed, I'll prob get the set in spite of the a.i. stuff that's being utilized on it. If you get the download, please note that the Miracle box set is $36 for mp3 as I recall, so the price for the Queen I download might increase. $19 is still a good deal for 60+ songs ... I preordered the boxset for only $9.99 what’s going on with the price $19 still seems kinda low for a queen boxset.
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Post by The Real Wizard on Sept 16, 2024 2:56:30 GMT
Is there a bootleg of the American concert from which they took for the official release Hangman? Nope - this recording in the band's archives is the only known tape of the gig.
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Post by The Real Wizard on Sept 16, 2024 2:58:15 GMT
It's fine to be disappointed in something, no one needs me to tell them that, but personally I find the level of anger and disgust coming out of here to be unwarranted and disheartening. Queen didnt become the household name they are without playing the game a bit. Standing ovation. You get it. Same goes for the biopic in 2018. They made a few compromises, and in exchange for that they're now bigger than the Beatles.
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pg
Queen Mab
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Post by pg on Sept 16, 2024 7:19:45 GMT
Maybe the early version "sucks", or maybe has racist lyrics, or may be a significantly different better version live several years later. No matter, we will have an official live version in the coming weeks. I reckon we'll see a version either with Q2 or ANATO. If Hangman (studio) is appearing on any subsequent release, logically it means the live version on THIS release is out of place....
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BrƎИsꓘi
Administrator
They called it paradise, I don't know why...You call some place paradise, kiss it goodbye.
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Post by BrƎИsꓘi on Sept 16, 2024 7:40:17 GMT
Have you considered the mp3 version of the entire box set? I purchase it in the US Where it was about $10 on Amazon. I believe others have ordered it on Amazon UK. mp3? Are they STILL putting stuff out on a shitty format? FFS. It's time they offered FLAC or better still 24/96. that'd require the retailer having 3-4x the download server storage space
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leighburne
Dragonfly Trumpeter
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Post by leighburne on Sept 16, 2024 7:42:12 GMT
There are digital download sites that provide stuff in lossless formats like FLAC. Whether this will be available from those sites, of course…
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Post by alexlizzy on Sept 16, 2024 7:52:12 GMT
That's not really an excuse to deliver subpar product. Its just a statement of the fact that they f**cked up the deadlines and the project had poor management. Which absolutely does not somehow should now save them from well-deserved critique. Shit dont NEED to be delivered. There is no law of physics that absolutely forces one to release a subpar product. It's still always a choice that people made and they could always make another choice. Again, that means that we can freely criticise that choice, even in harsh words, if deserved. And this time, it's clearly deserved. A Night At The Odeon was a rather lazy and sub-par product. I surely dont remember A Night At The Odeon video consisting of creepy and cringy "uncunny valley" badly done AI imagery %))) Well, we all have our own definitions of "lazy" and "sub-par"... And BTW my comment was about the video only, not about the upcoming box. When I say I agree that Bri And Rog obviously didnt care and its okay to critique them on that, as well as on the horrible video, I was talking about the video and only about the video.
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Post by alexlizzy on Sept 16, 2024 8:01:42 GMT
That's not really an excuse to deliver subpar product. Its just a statement of the fact that they f**cked up the deadlines and the project had poor management. Which absolutely does not somehow should now save them from well-deserved critique. Shit dont NEED to be delivered. There is no law of physics that absolutely forces one to release a subpar product. It's still always a choice that people made and they could always make another choice. Again, that means that we can freely criticise that choice, even in harsh words, if deserved. And this time, it's clearly deserved. It's not an excuse as much as it's a reality - these kinds of projects often have too many cooks in the kitchen, and things can get caught up in bureaucracy and communication back and forth between too many parties. And indeed, people have the right to air their grievances about the final result as they may. But they often don't know what goes on behind the scenes to make these kinds of things happen (or not happen, or barely happen). Rarely are things perfect, where large groups of people have a singular vision and execute it. It isn't like a space mission where everyone absolutely must be on the same page to make a thing happen in a mathematically precise way, where one minor deviation from the plan will result in utter catastrophe. This is art, and people are going to have varying opinions which will create hang-ups of one kind or another. It's just how life works most of the time. Sure sure. Im just saying that there is nothing wrong to proclaim that they "dont care". They clearly did not this time and anyone who agrees should have a right to say it without being judged and moralized against. Of couse rarely things are perfect, but they are several degrees of "not perfect". Miracle box was not perfect, but it was alright and certainly not awful. So was many other Queen related products lately. But none of them went as low on quality as the TNCD video. It is just whole new level of sinking low. There is a difference between "well, could be better" and "oh my god, I want to gouge my eyes out, what were they thinking??"
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vh
Ploughman
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Post by vh on Sept 16, 2024 8:05:08 GMT
I reckon we'll see a version either with Q2 or ANATO. If Hangman (studio) is appearing on any subsequent release, logically it means the live version on THIS release is out of place.... IF there is a studio version that was recorded for Queen II, then that is where it belongs. However it was obviously written and performed and maybe planned for Queen I so a live version belongs in this Boxset as they were performing it at the time. A Queen II version would be interesting with the arrangement and production style of that album. But who knows. The song lasted in the setlist sporadically until 1976 by which time they had enough material to choose from without using an unreleased or unrecorded song.
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BrƎИsꓘi
Administrator
They called it paradise, I don't know why...You call some place paradise, kiss it goodbye.
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Post by BrƎИsꓘi on Sept 16, 2024 8:05:15 GMT
Same goes for the biopic in 2018. They made a few compromises, and in exchange for that they're now bigger than the Beatles. sorry, i don't quite see that. Disney's 2024 Let It Be was a huge seller, and the Get Back docu-series netted Apple Corps Ltd £58.4million in 2022. Macca and Ringo and Lennon/Harrison's widows making £5m apiece. The Beatles Red & Blue "2023 reissued/reworked" compilations peaked at no5 and 6 respectively (USA) and in the UK both reissues matched their original (1970s) peak positions of no3 and no2. That's not bad at all for a a reworking of 50-yr-old film of a band who'd been dead for as long as the film cans had been idle. even as late as 2023, the Beatles managed a UK (no1) and US (no7) hit with a new single. Correct me if I'm wrong, but Queen haven't had a no1 single since the month after Freddie died, and even said "boo to a goose" at the USA top 10 since the same week! (CC was no3 - but only two weeks total in top 100 UK)
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JackG
Ostler
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Post by JackG on Sept 16, 2024 8:13:08 GMT
There are digital download sites that provide stuff in lossless formats like FLAC. Whether this will be available from those sites, of course… The Night Comes Down was released in 32/96, so it's likely possible for Hi-Res FLACs
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katby
Satyr
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Post by katby on Sept 16, 2024 8:57:00 GMT
Genuine question: Have any of The Beatles remixes been pitch corrected?
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senzo
Tatterdemalion
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Post by senzo on Sept 16, 2024 9:52:02 GMT
If Hangman (studio) is appearing on any subsequent release, logically it means the live version on THIS release is out of place.... IF there is a studio version that was recorded for Queen II, then that is where it belongs. However it was obviously written and performed and maybe planned for Queen I so a live version belongs in this Boxset as they were performing it at the time. A Queen II version would be interesting with the arrangement and production style of that album. But who knows. The song lasted in the setlist sporadically until 1976 by which time they had enough material to choose from without using an unreleased or unrecorded song. One of the Sotheby’s manuscripts had alternate Queen “1” album running orders. That would show whether Hangman was ever recorded AND considered for release on the album at least. It wasn’t on display however and I didn’t get to see it. Did anybody?
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senzo
Tatterdemalion
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Post by senzo on Sept 16, 2024 10:02:33 GMT
To quote the Sotheby’s catalogue “amongst the various fragments is what appears to be a list of possible tracks bearing evidence of the voting process by which a final selection was made”. I’m pretty sure this manuscript was bought by QPL judging by what I can see is in the book accompanying the box set. Certainly implies there were songs left off the album- might just be MTS perhaps …
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Post by peacelovingguy on Sept 16, 2024 10:24:49 GMT
Same goes for the biopic in 2018. They made a few compromises, and in exchange for that they're now bigger than the Beatles. sorry, i don't quite see that. Disney's 2024 Let It Be was a huge seller, and the Get Back docu-series netted Apple Corps Ltd £58.4million in 2022. Macca and Ringo and Lennon/Harrison's widows making £5m apiece. The Beatles Red & Blue "2023 reissued/reworked" compilations peaked at no5 and 6 respectively (USA) and in the UK both reissues matched their original (1970s) peak positions of no3 and no2. That's not bad at all for a a reworking of 50-yr-old film of a band who'd been dead for as long as the film cans had been idle. even as late as 2023, the Beatles managed a UK (no1) and US (no7) hit with a new single. Correct me if I'm wrong, but Queen haven't had a no1 single since the month after Freddie died, and even said "boo to a goose" at the USA top 10 since the same week! (CC was no3 - but only two weeks total in top 100 UK) www.forbes.com/sites/hughmcintyre/2024/01/22/queen-reportedly-tops-one-of-the-beatless-records/#Btw, if you’re ever interested in train spotting obsession levels of interest in Queen’s financial muscle, Forbes is the place to go.
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Post by ThomasQuinn on Sept 16, 2024 10:52:45 GMT
If Hangman (studio) is appearing on any subsequent release, logically it means the live version on THIS release is out of place.... IF there is a studio version that was recorded for Queen II, then that is where it belongs. However it was obviously written and performed and maybe planned for Queen I so a live version belongs in this Boxset as they were performing it at the time. A Queen II version would be interesting with the arrangement and production style of that album. But who knows. The song lasted in the setlist sporadically until 1976 by which time they had enough material to choose from without using an unreleased or unrecorded song. What makes you think it was "written and performed and maybe planned for Queen I"? All the evidence suggests it was simply written for early live performances and occasionally performed at some later gigs. It doesn't show up on studio track sheets or early track lists for the first album, it wasn't part of the De Lane Lea demos. Bootleg recordings of live performances reveal a rather rough track that didn't really develop much over time, suggesting that the band itself didn't rate it very highly (compare See What A Fool I've Been for a song they did keep developing live). The sole reason that there's so much interest in it among hardcore fans is that it's the only original song by the band that was performed live but, until now, never released in any form. Unless this unknown live recording from '76 reveals a spectacularly improved song from known versions, it'll remain what it always was despite the fan-borne hype - a pretty dull and forgettable song.
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Post by airpodsmax on Sept 16, 2024 11:00:18 GMT
IF there is a studio version that was recorded for Queen II, then that is where it belongs. However it was obviously written and performed and maybe planned for Queen I so a live version belongs in this Boxset as they were performing it at the time. A Queen II version would be interesting with the arrangement and production style of that album. But who knows. The song lasted in the setlist sporadically until 1976 by which time they had enough material to choose from without using an unreleased or unrecorded song. What makes you think it was "written and performed and maybe planned for Queen I"? All the evidence suggests it was simply written for early live performances and occasionally performed at some later gigs. It doesn't show up on studio track sheets or early track lists for the first album, it wasn't part of the De Lane Lea demos. Bootleg recordings of live performances reveal a rather rough track that didn't really develop much over time, suggesting that the band itself didn't rate it very highly (compare See What A Fool I've Been for a song they did keep developing live). The sole reason that there's so much interest in it among hardcore fans is that it's the only original song by the band that was performed live but, until now, never released in any form. Unless this unknown live recording from '76 reveals a spectacularly improved song from known versions, it'll remain what it always was despite the fan-borne hype - a pretty dull and forgettable song. I am not agree that hangman is a boring song. It just didn't find the right place in the album and therefore wasn't recorded properly.
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Post by ThomasQuinn on Sept 16, 2024 11:09:04 GMT
What makes you think it was "written and performed and maybe planned for Queen I"? All the evidence suggests it was simply written for early live performances and occasionally performed at some later gigs. It doesn't show up on studio track sheets or early track lists for the first album, it wasn't part of the De Lane Lea demos. Bootleg recordings of live performances reveal a rather rough track that didn't really develop much over time, suggesting that the band itself didn't rate it very highly (compare See What A Fool I've Been for a song they did keep developing live). The sole reason that there's so much interest in it among hardcore fans is that it's the only original song by the band that was performed live but, until now, never released in any form. Unless this unknown live recording from '76 reveals a spectacularly improved song from known versions, it'll remain what it always was despite the fan-borne hype - a pretty dull and forgettable song. I am not agree that hangman is a boring song. It just didn't find the right place in the album and therefore wasn't recorded properly. Tastes differ of course, you have every right to like the song. "It just didn't find the right place in the album and therefore wasn't recorded properly", however, is simply unfounded speculation. At this point in time, there is absolutely no evidence that it was ever even briefly considered for the album. The book with this new box set might change that, but until that time: no evidence at all.
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vh
Ploughman
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Post by vh on Sept 16, 2024 11:15:42 GMT
IF there is a studio version that was recorded for Queen II, then that is where it belongs. However it was obviously written and performed and maybe planned for Queen I so a live version belongs in this Boxset as they were performing it at the time. A Queen II version would be interesting with the arrangement and production style of that album. But who knows. The song lasted in the setlist sporadically until 1976 by which time they had enough material to choose from without using an unreleased or unrecorded song. What makes you think it was "written and performed and maybe planned for Queen I"? All the evidence suggests it was simply written for early live performances and occasionally performed at some later gigs. It doesn't show up on studio track sheets or early track lists for the first album, it wasn't part of the De Lane Lea demos. Bootleg recordings of live performances reveal a rather rough track that didn't really develop much over time, suggesting that the band itself didn't rate it very highly (compare See What A Fool I've Been for a song they did keep developing live). The sole reason that there's so much interest in it among hardcore fans is that it's the only original song by the band that was performed live but, until now, never released in any form. Unless this unknown live recording from '76 reveals a spectacularly improved song from known versions, it'll remain what it always was despite the fan-borne hype - a pretty dull and forgettable song. I used the word “Maybe” because I don’t know. Likewise you don’t know it wasn’t planned. it was written and performed so an educated guess would be that the intention would have been to record the song for release on an album. Just because there is no written evidence doesn’t mean it was never talked about as being a possible song for inclusion. Both Roger and Brian have talked, rather vaguely, about the song being worked on/ recorded. saying the band didn’t rate it highly is questionable. As I’ve pointed out before they thought enough of it to keep returning to it in a live context until 1976, if they didn’t think anything of it why give it set list space.
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Lord Fickle
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Post by Lord Fickle on Sept 16, 2024 11:27:47 GMT
What makes you think it was "written and performed and maybe planned for Queen I"? All the evidence suggests it was simply written for early live performances and occasionally performed at some later gigs. It doesn't show up on studio track sheets or early track lists for the first album, it wasn't part of the De Lane Lea demos. Bootleg recordings of live performances reveal a rather rough track that didn't really develop much over time, suggesting that the band itself didn't rate it very highly (compare See What A Fool I've Been for a song they did keep developing live). The sole reason that there's so much interest in it among hardcore fans is that it's the only original song by the band that was performed live but, until now, never released in any form. Unless this unknown live recording from '76 reveals a spectacularly improved song from known versions, it'll remain what it always was despite the fan-borne hype - a pretty dull and forgettable song. I used the word “Maybe” because I don’t know. Likewise you don’t know it wasn’t planned. it was written and performed so an educated guess would be that the intention would have been to record the song for release on an album. Just because there is no written evidence doesn’t mean it was never talked about as being a possible song for inclusion. Both Roger and Brian have talked, rather vaguely, about the song being worked on/ recorded. saying the band didn’t rate it highly is questionable. As I’ve pointed out before they thought enough of it to keep returning to it in a live context until 1976, if they didn’t think anything of it why give it set list space. I think it's quite curious that they were still occasionally playing it live right up to 1976, when they clearly had plenty of other material to work into a set by then. Was it just to make a few concerts 'special' for those that attended? It's strange that they were still playing a song live four or five years after it's conception, but never did a studio recording of it. At least one of them must have liked it for them to play it live.
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leighburne
Dragonfly Trumpeter
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Post by leighburne on Sept 16, 2024 11:39:21 GMT
Not necessarily proof of anything, but there are definitely instances of other bands playing songs live, sometimes for many years, that they apparently never recorded in the studio.
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Lord Fickle
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Post by Lord Fickle on Sept 16, 2024 11:48:11 GMT
Not necessarily proof of anything, but there are definitely instances of other bands playing songs live, sometimes for many years, that they apparently never recorded in the studio. Indeed, Thin Lizzy performed Are You Ready since 1976 but a studio version never appeared, although I think a rough demo did surface at some point.
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Post by peacelovingguy on Sept 16, 2024 12:41:45 GMT
Thanks for this. Finally got around to reading it. So the producer/engineer of Ziggy Stardust, one of the greatest albums ever made, states that those 1972 Trident drums required samples to update the sound. I wonder what Bowie fans think of the result? In defence of Rog and Bri with the remix, they never wanted the Trident dead drum sound in the first place. “Look, the whole glam rock sound was very much the 70s. Now we’re in the 2020s and it needs to be different. And the main thing that characterised the whole glam rock thing was the very, very dead drum sound. And so I wanted to change that drum sound. So I added samples to what Woody [Woodmansey] was playing. I never got rid of any of Woody’s parts, I just added sounds to them, to bring it more to a modern type of [drum] sound. And so that took a while!”
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Nick
Satyr
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Post by Nick on Sept 16, 2024 12:44:30 GMT
Genuine question: Have any of The Beatles remixes been pitch corrected? I’ve never clocked anything and I don’t recall seeing any discourse online, but that comes with the disclaimer that this doesn’t mean that they haven’t. Among Beatles fans I know, their takes on Giles Martin’s mixes are largely based on what version of the respective albums they grew up with. There a couple of his mixes that aren’t perfect (Taxman with the cowbell, For No-One with the overbearing kick drum, She Said She Said guitars being all over the place in the mix). From memory, he used a different vocal take for Come Together on Abbey Road (only really notable in the outro). I’ll take that over triggered drums…
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Post by The Real Wizard on Sept 16, 2024 13:51:12 GMT
Sure sure. Im just saying that there is nothing wrong to proclaim that they "dont care". They clearly did not this time and anyone who agrees should have a right to say it without being judged and moralized against. Fair enough. But considering all the possible variables at play, insisting they "don't care" falls more under the category of character judgement. And even if they don't care, it's their right not to care as much as it's anyone's right to criticize them for it. They have only so many hours in the day, and they're in their mid-70s - well into retirement age now. This is why they employ a whole lot of people to be caretakers of their legacy, and not everything is a homerun. So was many other Queen related products lately. But none of them went as low on quality as the TNCD video. It is just whole new level of sinking low. People were saying this 20 years ago too. There will always be hits and misses. Remember when they did that Pepsi commercial with Britney Spears ? If anything, I'd argue that they were far more in the weeds back then than they are now. In the grand scheme of things, most of the decisions around the legacy have been sound. Brian and Roger have been pounding the pavement for nearly a quarter century, and Queen are now arguably bigger than the Beatles. This didn't happen by accident. And a video for an obscure song on their YouTube channel really won't move the needle, which we can be quite certain they know.
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Raf
Ostler
Sweet like some kind of cheese
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Post by Raf on Sept 16, 2024 13:59:12 GMT
Regarding all discussion about the video and whether or not Brian and Roger care about it: they've ALWAYS done videos they didn't like. While during most of their career they were very mindful of their sound, and that's it, really - even with Freddie and John in their line-up, they've recorded some crappy videos throughout their careers, and they don't even hide the fact that they hated some of them as well. You can see at least some band members visibly bored/embarrassed during some videos (such as Body Language), you can actually hear Roger say something like "the ending is the best part, because then it's over" about Calling All Girls (GVH2 audio commentary) etc, not to mention how many times they had to lip sync TV appearances and made it look obviously fake (ex: Freddie singing away from the mic) just to make a point.
I'm pretty sure they've always understood that their work was to write songs, record them and play them on stage, and everything else was just promotion for that work. They might've made some great videos every now and then, but that wasn't their goal when they started the band back in 1970, and that definitely doesn't seem to be what they want to be remembered for now in 2024, and that's ok. They're musicians, not youtubers.
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Post by The Real Wizard on Sept 16, 2024 14:22:48 GMT
Same goes for the biopic in 2018. They made a few compromises, and in exchange for that they're now bigger than the Beatles. sorry, i don't quite see that. Disney's 2024 Let It Be was a huge seller, and the Get Back docu-series netted Apple Corps Ltd £58.4million in 2022. Macca and Ringo and Lennon/Harrison's widows making £5m apiece. The Beatles Red & Blue "2023 reissued/reworked" compilations peaked at no5 and 6 respectively (USA) and in the UK both reissues matched their original (1970s) peak positions of no3 and no2. That's not bad at all for a a reworking of 50-yr-old film of a band who'd been dead for as long as the film cans had been idle. even as late as 2023, the Beatles managed a UK (no1) and US (no7) hit with a new single. Correct me if I'm wrong, but Queen haven't had a no1 single since the month after Freddie died, and even said "boo to a goose" at the USA top 10 since the same week! (CC was no3 - but only two weeks total in top 100 UK) Fair enough - I should state "arguably" bigger than the Beatles. And all those points are well noted. There are many ways to skin a cat, and here I'm thinking more about a) how Queen are a bigger presence in popular culture (I hear their music out in the world nearly every day, if that means anything), and b) if you check the 20 most followed artists on Spotify, there is one from before the 21st century. And it ain't the fab four - it's Queen. And in 2024, I'd say online followers are a better indicator of overall popularity than chart positions, as music sells far less as a whole than it did 20+ years ago (although, at least in the US, the RIAA adds one "sale" for every 1500 streams).
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Dimitris
Politician
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Post by Dimitris on Sept 16, 2024 14:42:16 GMT
sorry, i don't quite see that. Disney's 2024 Let It Be was a huge seller, and the Get Back docu-series netted Apple Corps Ltd £58.4million in 2022. Macca and Ringo and Lennon/Harrison's widows making £5m apiece. The Beatles Red & Blue "2023 reissued/reworked" compilations peaked at no5 and 6 respectively (USA) and in the UK both reissues matched their original (1970s) peak positions of no3 and no2. That's not bad at all for a a reworking of 50-yr-old film of a band who'd been dead for as long as the film cans had been idle. even as late as 2023, the Beatles managed a UK (no1) and US (no7) hit with a new single. Correct me if I'm wrong, but Queen haven't had a no1 single since the month after Freddie died, and even said "boo to a goose" at the USA top 10 since the same week! (CC was no3 - but only two weeks total in top 100 UK) Fair enough - I should state "arguably" bigger than the Beatles. And all those points are well noted. There are many ways to skin a cat, and here I'm thinking more about a) how Queen are a bigger presence in popular culture (I hear their music out in the world nearly every day, if that means anything), and b) if you check the 20 most followed artists on Spotify, there is one from before the 21st century. And it ain't the fab four - it's Queen. And in 2024, I'd say online followers are a better indicator of overall popularity than chart positions (although, at least in the US, the RIAA adds one "sale" for every 1500 streams). There is something very intersting regarding Queen sales, in streams and digital downloads were and still is bigger than The Beatles ,Stones, Zeppelin and MJ etc. While in physical sales The Beatles easily outsold Queen However in Europe Queen are the band with the biggest sales , in UK are second and have the spot of albums with GH, even if we exclude the platinum sales that added to GH, Queen still keep the top on spot. In USA Beatles top as a band Queen are way behind them, but in the last 15 years they managed to return in top #2 Rhaspody OST, n#1 physical sales, #6 platinum , n#8 GH the last two between 2021-22. Also GH hold record breaking in the top for back catalogue sales, last weels was back , is in top 40-50 in billboard top 200 for almost 2 years. FIA and CC sold much better than UK and went top 10 in rock charts and download- streams. General in streaming Queen outsold all. Something more intersting in 1991 before Freddie's death, Queen had bigger sales with Innuendo and back catalogue than REM, GnR and were top seller of the year. In 90s their sales were second behind OASIS. Dont mention their enormous sales in video tapes, dvd wer in 80s up to 10s were huge. The Beatles of course are bigger in almost everything but Queen have also their popularity which those days is bigger in the ages who are the main market. P.S GH went n#2 in 2021 and still on charts, if record company had withdrawn this compilation ANATO, SHA (great chart run up to 1982 and re entries in 84-2007) and whatever other album could have been in public consciousness. That's where Queen albums lose. Also in US Queen are over in total sales than Bruce Springsteen, Aerosmith, Pink Floyd and I don't remember about Metallica. Before 20+ years they weren't.
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baronlutenvank
Ploughman
The Username Formerly Known as Killer_queenIII
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Post by baronlutenvank on Sept 16, 2024 14:47:58 GMT
Genuine question: Have any of The Beatles remixes been pitch corrected? Haven't heard any from the Giles Martin remixes, but I remember they patched a line on Let It Be...Naked I'm still wondering myself if some pitch correction was involved in Now and Then though
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Post by airpodsmax on Sept 16, 2024 15:46:31 GMT
I am extremely surprised and probably glad that the upcoming reissue of Queen's album has caused such heated discussions. Probably the main topic is the track Hangman. It is especially interesting that there are people who love this track and would like a studio version of the song, and there are haters who don't care about this song and think that this track received undeserved wishes. Someone wrote here that the book that will be in the box set may contain information about which album Hangman belongs to. I think there is no point in asking Brian if he has sclerosis on this topic, especially Roger. And it is unlikely that the book will shed the truth on this issue. One thing is absolutely clear: the Hangman studio track is a myth
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