geokand
Tatterdemalion
Posts: 13
Likes: 0
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Post by geokand on Jul 23, 2020 19:51:47 GMT
In my opinion Brian has created some of the most melodic solos that exist and I was wondering how did he do that? I'm trying to solo like him but don't quite get it. How did he improvise live? I don't think I'll ever reach his level of playing but I'm trying to get as close as I can. Thanks.
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victorvil
Wordles & Heardles
Dragonfly Trumpeter
Posts: 171
Likes: 98
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Post by victorvil on Jul 25, 2020 1:36:56 GMT
I've played the guitar since '95 and Brian is one of my biggest influences (along with Gustavo Cerati) and I've always been in awe of what Brian can do live, in terms of throwing new ideas to different solos. He's always very aware of the harmony of the song and builds from that, not going in rambling scales and chops (like Dave Murray). He's mixing licks with little nods to the riff, and using the delay to harmonize with himself, specially if the song has no piano or keyboards. The trio sound can become very flat if the guitar player goes off on his own.
He's also trying to find new melodic lines to parts of the song that already had a melodic line, sung by Freddie or played by another instrument. Somebody to Love is a good example, he's "singing" over the verse.
I really like to listen to the different versions of the final solo in A Kind of Magic, in the 86 tour. With all those years of playing live, he's got all the confidence to let himself go in some wild impro, giving the song a boost at the end.
Excuse me for my poor english, but I love to talk about guitar playing.
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ted
Ploughman
Cool.
Posts: 395
Likes: 190
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Post by ted on Jul 25, 2020 18:13:51 GMT
Regarding Queen songs, I once read an interview with Brian (back in the early 80's) within which he stated that usually (or often) the author of the song would have something in mind for the guitar solo.
Ted
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Makka
Dragonfly Trumpeter
Posts: 133
Likes: 86
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Post by Makka on Jul 29, 2020 8:25:32 GMT
One thing about Brian's playing, and I'm sure i've seen this spoken about before somewhere, is one of his regular little traits is to solo slightly behind the beat, especially on bends.
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Post by The Real Wizard on Aug 2, 2020 0:57:44 GMT
Countless pieces have been published about his playing - stylistic, compositional, and technical. Pretty well every guitar magazine has articles galore from the past few decades.
His improvisation is largely derived from major and blues scales, with lots of trills and string bends. Very baroque at times, but a lot of it comes from Clapton and Hendrix.
As for his sense of melody - there's no editorial in the world that can explain that. That's all inside his brain.
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